Color itself is a kind of “filter” produced by the human optical system: Conversation with “Branches from Concrete” director Zhou Zhenyu and sound designer Xu Mo
This year’s International Film Festival Rotterdam featured a strong lineup of contemporary experimental Chinese and Hong Kong films. Among them was Branches from Concrete directed by a Paris-based filmmaker Zhou Zhenyu. Zhou together with sound designer discuss work on the film, collecting archival materials, cinematic image of Hebei province, and how filmmaking can bring people…
色彩其实也是人类视觉系统的一种“滤镜”:专访《混凝土枝叉》导演周振宇、声音设计徐墨
今年的鹿特丹电影节呈现了一批极具分量的中国当代实验电影作品。其中,同样亮相电影节的还有定居巴黎的导演周振宇,他带来了新短片《混凝土枝叉》。
Fei Mu, “Two Short Essays”
In “Two Short Essays” Fei Mu discusses his concept of ‘atmosphere’ (kongqi) and the state of contemporary Chinese cinema.
